000			02088cam a2200313Mi 4500
001			on1136410505
003			OCoLC
005			20240530065450.0
008			930407s1993 nyu 000 0 eng d
020			_a8170461111
035			_a(OCoLC)1136410505
040			_aIPAAE _beng _cIPAAE _dOCLCO _dOCLCF _dOCLCQ _dAUQ _dOCL _dOCLCO _dOCLCL
050	1	4	_aPN1994 _b.M71
245	0	0	_aMovies and methods : _ban anthology / _cedited by Bill Nichols.
260			_aCalcutta : _bSeagull Books, _c1993.
300			_a2 volumes
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aOriginally published: Berkley, CA: University of California Press, �1976.
520			_aThe first volume traces the evolution of film theory and criticism into a new discipline, incorporating various sociological, psychological, and philosophical methodologies. Authors represented include Susan Sontag, Andrew Sarris, Pier Paolo Pasolini, Francois Truffaut and Sergei Eisenstein. The second volume indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved valuable insights. Nichols shows how shared methods and approaches stimulate writing about film, point to common problems critics and theorists have tried to resolve, and describe the internal contradictions that have restricted the usefulness of post-structuralism. The concluding part conveys the diversity of film writing from statistical style analysis to phenomenology and from gay criticism to neoformalism. The writings collected here exhibit a persistent awareness of the social importance of the cinema in American culture.
650		0	_aMotion pictures.
650		7	_aMotion pictures. _2fast _0(OCoLC)fst01027285
655		7	_aMotion pictures. _2fast _0(OCoLC)fst01726252
700	1		_aNichols, Bill.
758			_ihas work: _aMovies and methods (Text) _1https://id.oclc.org/worldcat/entity/E39PCYfBqckdH9Cq3BJfjpGjWC _4https://id.oclc.org/worldcat/ontology/hasWork
942			_2lcc _cBK _n0
948			_hNO HOLDINGS IN GHUCC - 1 OTHER HOLDINGS
999			_c412 _d412