01980cam a2200277Mi 4500001001300000003000600013005001700019008004100036020001500077035002200092040006700114050001700181245006600198260003800264300001400302336002600316337002800342338002700370500008000397520093900477650002101416650004701437655004701484700001901531758015201550on1136410505OCoLC20240530065450.0930407s1993    nyu           000 0 eng d  a8170461111  a(OCoLC)1136410505  aIPAAEbengcIPAAEdOCLCOdOCLCFdOCLCQdAUQdOCLdOCLCOdOCLCL14aPN1994b.M7100aMovies and methods :ban anthology /cedited by Bill Nichols.  aCalcutta :bSeagull Books,c1993.  a2 volumes  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aOriginally published: Berkley, CA: University of California Press, �1976.  aThe first volume traces the evolution of film theory and criticism into a new discipline, incorporating various sociological, psychological, and philosophical methodologies. Authors represented include Susan Sontag, Andrew Sarris, Pier Paolo Pasolini, Francois Truffaut and Sergei Eisenstein. The second volume indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved valuable insights. Nichols shows how shared methods and approaches stimulate writing about film, point to common problems critics and theorists have tried to resolve, and describe the internal contradictions that have restricted the usefulness of post-structuralism. The concluding part conveys the diversity of film writing from statistical style analysis to phenomenology and from gay criticism to neoformalism. The writings collected here exhibit a persistent awareness of the social importance of the cinema in American culture. 0aMotion pictures. 7aMotion pictures.2fast0(OCoLC)fst01027285 7aMotion pictures.2fast0(OCoLC)fst017262521 aNichols, Bill.  ihas work:aMovies and methods (Text)1https://id.oclc.org/worldcat/entity/E39PCYfBqckdH9Cq3BJfjpGjWC4https://id.oclc.org/worldcat/ontology/hasWork